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Georgia O’Keeffe created a body of work that was uniquely her own. Her subject matter was familiar—flowers, landscapes, buildings—but as she shuttled between objective art (“as objective as I can make it”) and abstraction (“that memory or dream thing”), O’Keeffe found a way of painting that enabled her to transform the objects and sights that transfixed her, as the twelve paintings reproduced in this calendar attest.
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